If you hide behind a concrete pillar, enemy bullets will eventually tear it to pieces, making you look for another hiding spot. When the bullets hits all around you, the dust flies up and your visiblity gets low, making the gunfight more realistic than in any game I've ever seen. And the way they did it is so freakin amazing. From the moment you play Black, you will notice that the weapon you're holding is as real as they come, but one thing is peculir: it holds 90 bullets per clip, more than enough to rage hell against masked terrorists totally vulnerable to headshots.Įven the gameplay itself is just. As Kelar blasts through the besieged cities, snow-covered wilderness, and other levels, shell casings, glass, dust, and debris will fly across the screen as plumes of smoke and raging fires dot the war-torn landscapes.Īnd that's why it rocks. Instead of firing at a patrol of soldiers, for example, players can instead target nearby vehicles or barrels to trigger explosions, shoot out windows and balconies, and more.

A total of 13 cutting-edge weapons are available to eliminate the enemy threat, but the most distinguishing aspect of Black is its physics engine: fully destructible environments allow players the freedom to shoot inanimate targets as well as live ones.

Rather than slinking through environments making quick, covert strikes, players in Black perform a full-on assault through nine levels of explosive action. Players are cast in the role of Jack Kelar, member of an elite tactical squad, whose team is assigned to Eastern Europe on a hunt for an American traitor.

Newton's third law is put to the test in Black, a first-person shooter from the development team behind the acclaimed Burnout franchise.

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